New Videos - June 2021!

Still dealing with the heat, but I'm catching up on the latest videos.  This one is a bit back and forth between rock and metal, but it's all great, I promise!  These songs really demand to be turned up all the way!

Starting off with another great rocker from Big City.  This one is a little darker, a little more dramatic, and features some slide-guitar for one of the bridges (and the other solo is pretty tasty, as well).  While it's still within the pop metal wheelhouse, this one shows that the band has more than just good anthemic songs.

Another band I've heard a lot about, but never gotten around to.  Galneryus has been doing neo-classical power metal for quite a while now, and it sounds like they haven't slowed down in the slightest!  The song does bounce back-and-forth between Japanese and English, but the Malmsteen style solos are universal as far as I'm concerned!

I know I've called The Treatment a more melodic AC/DC, but this song seems to wander into more Def Leppard or Dokken territory, with a distinct pop metal vibe.  Still, it's quite enjoyable, and has some interesting little guitar licks.  Kinda wish the solo was a little longer, though.

Another awesome track from Hammer King!  Very much sitting between the sounds of HammerFall and Gamma Ray, this is some epic, chest-pounding metal.  I need to make their new album a higher priority for me!!

This new Styx album is sounding more and more peculiar.  While I recognize Tommy's voice, the song has this acoustic 6/8 groove, with some 70s synths laid on top.  It's a decent song, but I don't know if it really sounds like Styx.  I suppose I'll find out when I listen to the new album.

Finishing this article off with some gritty German power metal, Brainstorm has a great, double-kicking speed fest here.  Along with a catchy chorus and those crunchy guitars, it's one of the better songs in this style I've heard in a while!

Anniversary Series - 1991!

Sorry for the lack of content lately.  At least I was able to put this one together in advance.  It's also fortunate that 1991 is such a big deal in rock music history, providing plenty of material for this anniversary article.  1991 was definitely the end of some eras and the beginnings of others.  It would be hard to think of a year that would come to represent such massive shifts in the rock scene more than this one.  Still, with such change, great music gets made.

Speaking of the end of eras, Queen would experience a pretty major shift.  Releasing Innuendo in February, it would end up being the last record they would record alongside their singer Freddie Mercury before he would pass away later in this year.  Other bands facing the ends of an era would also include Skid Row, as Slave to the Grind would be their last with singer Sebastian Bach, and Europe, whose Strangers in Paradise would be their last album for more than 10 years.

Other bands were coming to a close as well.  Genesis released We Can't Dance, which would end up being their last with Phil Collins (though currently there is talk of another reunion tour, so who knows).  Dire Straits also put out their last album On Every Street, one that I think is very underrated in their catalog.  Rush would also bring a close to their synthesizer-heavy 80s with Roll the Bones, bringing things back to a more streamlined rock sound.

Of course, it was not all doom-and-gloom for rock and metal bands.  Van Halen was still rocking with Sammy Hagar, releasing For Unlawful Carnal Knowledge, and Mr. Big would kickstart their popularity in Japan with the single "To Be With You."  Guns 'n' Roses would finally release their double album Use Your Illusion, Ozzy proved he wasn't slowing down with No More Tears, and Metallica would release their self-titled album, which is still their most popular one to this day.

However, the big change came from the Seattle bands.  While they wouldn't get their big explosion next year, 1991 featured some of their biggest releases.  Not only do you have Pearl Jam's Ten, Temple of the Dog's only album, and Soundgarden's Badmotorfinger, but also Nirvana's Nevermind, which would introduce the sound to the rest of nation and turn it into an international phenomenon.  Almost instantly, record labels were dropping anything with an 80s rock sound in favor of this grittier, thicker style.  I don't know if there has ever been such a hard pivot in the rock music  industry before or since.

And that's 1991!  Certainly a year of changes, and the music shows.  A lot of pop metal and melodic rock would fade from popularity, making way for the new alternative rock sound, but good music, nevertheless.  I have a bunch more in the playlist below, and as always, let me know if there's something I've missed!  Until then, rock on!  \m/

Last Played - June 2021!

Well, the heat only seems to have gotten worse.  I feel like this will be a long summer.  A good time to be indoors and listening to some new rock and metal.  Here's what I've been checking out lately!

Nickelback - Curb

I know I’ve mentioned this before, but I do think Nickelback have become over-hated.  They’ve always had a pretty solid, crunchy hard rock sound, in my opinion, and I decided to give their very first album a listen.  While it’s not bad, it’s very much a product of its 1996 release date.

Some things are pretty familiar, such as the thick guitar tones and Chad Kroeger yarling through it all (which I've never minded), but their sound and songwriting haven’t quite developed into their own style yet, certainly leaning into the now-classic Seattle Sound.  Pearl Jam is probably the largest influence, though there are a few moments that make me think of early Foo Fighters as well, and a few tracks lean more into punk rock.  It’s certainly a blend of alternative rock styles from the mid-90s.

There are some good riffs and interesting moments here and there, but not much really stood out.  Some of it is dark and moody, other times it’s more jumpy and energetic, so it's a bit of a messy album, but at least it’s not the same ideas over and over.  It's was fun to hear how the band started early on, with their influences shining through, but as an album, it’s just kinda okay.

Robin McAuley - Standing on the Edge

Robin McAuley is one of those journeymen who wandered through many bands in the 80s, making a name for himself, but never really settling with a single band, and he’s continued that pattern in recent years.  After reconnecting with Michael Schenker for a few albums, then joining Black Swan, he has followed up with his first solo album in more than 20 years.

Unsurprisingly, it’s largely mid-tempo rock songs reminiscent of his time as part of the McAuley-Schenker group in the late 80s.  The riffs are actually pretty chunky, and the synths and organs add some nice layers, all of which work to provide the ideal backdrop for McAuley’s vocals.  Honestly, he sounds great here, his voice giving authority to what might be some pretty standard lyrics.  None of it is awful, just kinda pedestrian, but when they’re sung by someone this good, it’s hard to complain.  It’s almost like he hasn’t aged at all!

The album is pretty by-the-numbers, but that’s to be expected with something like this.  The tracks that stood out to me were the ones I’ve featured before on the New Vidoes articles on this blog: “Thy Will Be Done” (which is a solid opener), “Standing on the Edge,” “Say Goodbye,” and “Wanna Take a Ride” remain good rockers, with “Chosen Few” being rather punchy, kinda like AC/DC, and "Running Out of Time" being a nice, uptempo closer.  A little heavier than most AOR, but as an album, it flows pretty well, and proves that Robin still has it, making for a pretty good listen.

Paladine - Finding Solace

When I came across this band earlier in the year, I figured, as they only have two albums, I'd start with their first one.  It's a bit of a rough listen, as the production has some quirks, but otherwise, it's a solid, if clunky, collection of power metal.

These guys really like their DragonLance lore, as all their songs are drawn from that D&D universe.  I'm only a bit familiar with it, having read the Chronicles trilogy when I was in high school, but it works as a sufficient core to build epic songs around, even if the lyrics don't don't always gel.  Sonically, they sound very much in the heavy/power realm, much like early Dream Evil, Metalium, or Warrior Path, with a dash of Iron Maiden for good measure.  However, it does have some first album drawbacks.  The songs are probably too long for what they are, and the drums sound a bit too forward in the mix and very clicky.

Still, these are minor problems.  Nick Protonotarios is a good vocalist, mostly going for a gritty epicness, not unlike Herbie Langhans or Henning Basse, and there is plenty of solid guitar work and solos.  They also have a folky acoustic ballad or two to mix things up a little.  However, the only tracks that stood out were "Master of Present & Past," and "Metalizer," which has a strong Firepower-era Judas Priest vibe.  Still, they show plenty of promise, and I'll be sure to listen to their second album later this year!

---

I don't really have much to add this time around.  I pretty much intend to just keep going, doing my semi-regular articles, listening to more music, and not let the heat of summer get the best of me.  Until then, rock on!  \m/