The middle of the month means another anniversary article! Once again, I'll mostly be relying one what I've listened to instead of being a comprehensive look at the year. Fortunately, I have a lot for 2001, so let's get into it!
Once again, power metal comes up big, with some great albums from bands that would go on to do big things. Let's start with Kamelot and their album Karma, which is a great follow up to their previous album, pushing the band to even bigger heights with songs like "Forever," "Wings of Despair," and the title track. They even start to push their concept-based songwriting with a three part epic called "Elizabeth."Speaking of storytelling, 2001 would give us the debut of Tobias Sammet's Avantasia with The Metal Opera. While only having the first part of the story, it would kick start a run of albums telling all kinds of stories over the years, and their first is an excellent one, featuring tracks like "Breaking Away" and "The Glory of Rome." We'd also get great power metal from Edguy's Mandrake (highlights include "Tears of the Mandrake," "Golden Dawn" and "Nailed to the Wheel) and from Sonata Arctica's Silence (which has "Weballergy" and "Wolf & Raven"). Just a great year for power metal.
The other big genre would be post-grunge, with two of its biggest acts releasing big albums. Creed provided Weathered, and album that I think brings their gritting side with their radio-friendly side together very well, something I covered in that retrospective I wrote earlier this year. The other big release came from Nickelback, with their breakout album Silver Side Up, which provided big hits like "How You Remind Me" and "Too Bad," though I think their deeper cut "Money Bought" is just as good. Another kind of big album was the debut of Andrew W.K., I Get Wet, ensuring that Parties would always be Hard from then on.
Finally, I just want to bring up Yes's Magnification. It's an interesting album because instead of having a keyboardist (as is standard for the band), they went with a full-on orchestra. The songs have some fascinating variety, and it's probably the closest they have come to recapturing the majesty of their 70s material.
So that's 2001. Kind of dedicated to some specific genres, but it's what I'm familiar with from this year, and definitely worth checking out. As always, if there's something I've missed let me know. Until then, rock on! \m/
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