Tuesday, September 15, 2020

Anniversary Series - 2005!

I have to say, writing these Anniversary articles has been fun.  I get to go over stuff I love as well as dig into things I haven't heard before.  This month: 2005.  I admit that my knowledge of what the rock world in general was doing at this time is pretty sparse, but I know what I like, and this year has plenty of melodic rock and metal worth celebrating.

Speaking of which, let's start again with power metal.  A lot of really good albums came out this year for the genre, including the debut of Allen/Lande, a team-up to two very dynamic singers who really lay it on thick.  The album is full of fist-pumping anthems that are blast to hear.  HammerFall would continue their crusades, providing another set of stomping huge songs in Chapter V, namely "Blood Bound," "Fury of the Wild," and "Born to Rule."  And while Stratovarius' history would be pretty bumpy at this point, their self-title release is something of a dark horse in their collection, having some of their best material, in my opinion.

Kamelot would carry on their quality streak with The Black Halo, the second half of a concept album pair based on Faustian legends, and features tons of epic material.  Sabaton would kickstart their military history flavored metal with Primo Victoria, camo pants and all.  And of course, a discussion of power metal in 2005 wouldn't be complete with DragonForce's Inhuman Rampage, featuring the Guitar Hero favorite "Through the Fire and the Flames," and cementing the band as the poster child for the genre.  Admit it, when most people think about power metal now, it's usually DragonForce they think of.

Of course, there was more to 2005 than power metal.  Post-grunge continued to stick around, with 3 Doors Down's opener "Right Where I Belong" from Seventeen Days, and Nickelback showing us that "Photograph" everyone keeps making fun of them for.  Other highlights include Wolfmother's debut, full of Sabbath-y riffs and Deep Purple-y organs, as well as Disturbed finally turning the corner into their now iconic groove metal with Ten Thousand Fists.

To cap off, I want to end with band that may have flown under the radar.  One called Presto Ballet.  Formed by Metal Church guitarist Kurdt Vanderhoof, he set out to put together an album that paid homage to classic rock bands of the 70s, taking Yes and Kansas into strongest consideration.  Along with a dedication to more analog recording techniques, their debut album is a very bright and vibrant album that straddles the line between crunchy and prog the way bands like Kansas and Styx did back in their heyday.

So that's another anniversary article in the books.  As usual, the playlist with even more good stuff is posted below, and if I've missed something, shout it out!  Until then, rock on! \m/

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