Anniversary Series - 1999!

This article should be better than the last one, even if it means I gush about power metal most of the time, but it was great year for that genre.  After HammerFall had opened the gates, tons of new bands got signed, making it a ripe year for fans of the style.  However, I promise I'll talk a little bit about other genres, and we'll kick things off with some hard rock.

The big album of the year was definitely Creed's Human Clay.  Between the Matrix cameras in the music video and the anthemic post-grunge sound, this was when Creed cracked into the mainstream and became a big name.  I remember hearing "Higher" on the radio and thinking I needed more of this band.  I ended up loving them so much, they ended up being my first band retrospective article three years ago (the fact that they had such a small discography certainly helped as well.)

Other rock highlights include a few bands coming back in one form or another.  Def Leppard got back to their classic sound with Euphoria, Styx tried to make another concept album for Brave New World, and Santana teamed-up with Rob Thomas to give us "Smooth."  Classic rock might not have been the charting success it once was, but they still had plenty of good ideas and fun music.

I've delayed it long enough, though.  Power metal was really strong this year, with plenty of options to pick up.  Primal Fear came back with Jaws of Death, Gamma Ray and Iron Savior carried on their space crusade (which I reviewed earlier this month), Kamelot went into their Fourth Legacy now with epic vocalist Roy Khan helping with the songwriting, Edguy criticized the Theater of Salvation., and Helloween pulled out a Metal Jukebox for some interesting covers.

There were some solid debuts.  Freedom Call started their happy style of metal with Stairway to Fairyland, Metalium rang in the year with Millennium Metal, and Sonata Arctica blew everyone away with their debut Ecliptica.  With magnificent songs like "Kingdom for a Heart" and "Unopened," it was clear they were poised to become a champion of the second wave of power metal.

Of course, prog was making good stuff as well.  Dream Theater would reach a creative peak with their psychodrama Metropolis Pt. 2: Scenes from a Memory, Alan Parsons would check out The Time Machine, and Yes would blow my teenage mind away with The Ladder.  I've gushed about this album before.  Despite being 25 years old now, I still sing along to every word and note and beat whenever I put it on.  Honestly a modern prog rock masterpiece in my opinion.

So there's my thoughts on a pretty dang good year of rock and metal.  As always, check out the playlist below for more, recommend what I missed in the comments, and try to stay cool out there!  August is looking to be a hot and busy month for me, as I have a lot of album reviews planned, so keep an eye out for those.  Until then, rock on!  \m/

Anniversary Series - 1970!

I've been talking about doing more kinds of articles this year, and this is the beginning of one idea I've been tinkering with for a while: anniversary articles!

Okay, so maybe it's not the most original idea, and I admit that I'll be talking about music that came out before I was born for some of these, but it's still something different, right?  At least it breaks up all the video articles I keep doing, right?  Anyways, let's get started with 1970 and celebrate it's 50th anniversary!

While the year started with big songs from Chicago and The Guess Who, namely "25 or 6 to 4" and "American Woman" respectively, but the one that stands out the most (at least retrospectively) is Black Sabbath's debut album, kicking off the beginning of heavy metal.  While critics didn't care for what they doing, often calling them Cream knock-offs, the band gained an immediate fanbase, and it's easy to see why.  With it's big riffs and horror-like sound, they made a distinct impact to the music of the time, and set the stage for so many other bands to follow.

1970 was also a time of endings, as it provided the last Beatles album to be released from the band just after their official break-up.  Famous for a rooftop concert that provided takes for the album, it features the iconic ballad as the title track, "Let It Be," and the back-to-roots rock song "Get Back," showing their departure from the more complex arrangements from their Sgt. Pepper's days.  Overall, it marked the end of a saga that had changed rock and roll forever.

As the year moves on, we see a number of bands really standing out, with Deep Purple coming into their own with In Rock, and bands like Creedence Clearwater Revival and Santana only getting bigger, with songs like "Lookin' Out My Back Door," "Who'll Stop the Rain," and "Black Magic Woman," "Oye Como Va," respectively.

Progressive Rock would make some significant steps during this year as well.  Pink Floyd's Atom Heart Mother shows the band getting closer to their iconic sound, Hawkwind makes their debut as does Emerson Lake & Palmer with their ballad "Lucky Man," Genesis gives us "The Knife," and Yes start including a symphonic orchestra to their efforts with Time and a Word.

As the year winds down, we get more hard rock and heavy metal.  Led Zeppelin's III, with massive tracks like "The Immigrant Song," "Celebration Day," and "Gallows Pole" becoming arena rock standouts (even if that last one is acoustic, it's still an epic song!).  This is followed up by Black Sabbath's second record, featuring massive hits like "Paranoid," "Iron Man," and "War Pigs."

At the end of the end of the year, Creedence Clearwater Revival also gives us a second record in Pendulum, notable for the hit "Have You Ever Seen the Rain," while Eric Clapton forms Derek and the Dominos to give us "Layla."

Anyways, I hope you enjoyed that retrospective of 1970, clearly a big year for rock and metal music.  I've thrown together a Spotify playlist for the year that includes all these songs and many others.  If you feel I've missed something, let me know!  Until then, rock on! \m/