Top 5 of 2024!!

This year as a tough one, as there were a lot of solid albums.  The top three were figured out fairly early on in the past month, but after that, it took some serious consideration to round out the rest.  Judas Priest's Invincible Shield had a decent shot of making it, as well as Nightbound by Find Me, which started to grow on me, despite the production.  I also really enjoyed Lovebites's EP II, but decided that I shouldn't really compare it to a full album.  In the end, I was able to whittle it down to these five albums of 2024 that stood out from the rest!

5. Paragon - Metalation

This was definitely the toughest spot to fill.  As I relistened to this year's albums, I started to wonder if I could pick one from the list at all.  However, I found Paragon's new slab of chunky riffs to be what helped it squeeze in.  It's not as good as Controlled Demolition was, as these songs are a little sillier, but it's a pretty consistent album across the board, and that counts for a lot.

4. Firewind - Stand United

I know there were some power metal albums I never got around to this past year, so it might be a bit cheeky to say Firewind's latest is the best one of 2024, especially as I wasn't expecting too much after their self-titled album from a few years ago.  However, once I recognized that they had slipped into more of a heavy/power blend, I found Stand United to be a solid album, and Herbie Langhans's vocals have really settled in well for the band.

3. Jon Anderson and the Band Geeks - True

It took more than a few listens, but I was finally able to really assess this album on its own.  While it's certainly aping the classic sound of my favorite band, and I do think the songs in the middle drag it down, it can't be denied that Jon has found something pretty magical with these Geeks.  "Once Upon a Dream" alone put this album in the Top Five!

2. DGM - Endless

This year's surprise!  When their last album felt lukewarm, a let down from my winner of 2020, I wasn't sure what to make of this band.  So when I was treated to a pleasant kick-in-the-head in the form of some very 70s prog that was played with energy, I knew this was going to be a contender for the Top 5 list.  "From Ashes" still puts a smile on my face!

1. Monkey3 - Welcome to the Machine

DGM might have taken the year if it weren't for this one.  While I do think that Sphere was a better album, I can't deny this groups infectious tone and energy.  Giving their psychedelic rock a slight mechanical feel helped to shake things up, but otherwise, it was business as usual, as this band continues to impress with their dynamic song-writing and dense atmosphere.  

New Releases - September 2024!

It's been a while!  I still kinda catching up on things, but I've worked out a plan that should get me back on track before the end of the year.  And for once, I'm not reviewing any metal!  All three of these albums are ones I have been looking forward to, each for their own reasons, but it is nice to see some older styles still be represented by artists both old and young.  Let's get this prog rock article started!

David Gilmour - Luck and Strange

So we finally have the latest from this guitar legend.  There's been some talk from him about maybe moving beyond Pink Floyd, and getting a producer who has no interesting in respecting Gilmour's past.  However, I don't think he can really escape it, especially with an album like this.  Once again, David takes us through another bluesy journey, this time with an emphasis on themes of aging and mortality.

Those looking for Pink Floyd vibes will certainly find them here and there.  The title track, which features a recording from Rick Wright as a basis, feels like it could have come off of Division Bell, and "Scattered" references some of the band's 70s ideas, including a heart beat and that reverby piano from "Echoes."  As for the rest, the album tends to drift between his last two.  "The Piper's Call," "Sings" and "Yes, I Have Ghosts" feel like a folky variation on the songs fom On An Island, while some of the darkness of Rattle That Lock shows up on "A Single Spark" and "Dark and Velvet Nights."  The latter one actually gets pretty funky.  If there's one that maybe feels like an odd duck out, it's "Between Two Points," which is sung by David's daughter Romany.  It's an interesting song, but the production feels much more modern, like a contemporary pop song.  I didn't mind it, but folks who like their Gilmour material to feel classic may find it jarring.

Of course, Gilmour hasn't lost a step in his guitar work.  He still has his tasty licks and legato-style solos, so fans will get their fill for sure.  However, I feel like this album was more focused on the song-writing than the solos, and I think it makes the album feel a little more whole.  I don't know if I can really compare it to his other albums too well; I'd have to really dig in deep to compare.  However, on it's own, it's a solid album that shows how well Gilmour is aging, despite what the lyrics might imply.

Jon Anderson and the Band Geeks - True

So the story goes that the Band Geeks were just a cover band who happened to include a lot of Yes covers.  When Jon Anderson joined up with them, fans were talking about how good they were at playing classic Yes stuff.  Then they announced an album, and despite that pretty terrible cover art, they did end up recording something that sounds like classic Yes.

While Jon Anderson's singing and lyrics give this a heavy Yes-like tone, I do wonder if maybe the rest of the band is trying a little too hard to be like Yes from multiple eras.  Obviously, there's some classic Yes stuff, mostly Tales of Topographic Oceans or Going For the One, but there elements of their 80s pop sound, especially on "Shine On," and even some symphonic flourishes making me think of Magnification.  The Band Geeks are due a lot of credit, as they're playing is definitely spot on.  They are eager to sound like the classic members of Yes, with keyboard runs like Wakeman, basslines like Squire, and guitar solos like Howe.  

I guess my main concern is whether this stands on its own as good music or if it's just reminding me of music I already love.  I know I struggled with Arc of Life's two albums, to say nothing of what Yes has been doing lately, for the same problem.  However, I can't deny that Jon and the Geeks have worked out the kinks and made something that really clicks with me here and there.  "Shine On" has a lot of good energy on it, "Build Me an Ocean" sounds like it comes from The Living Tree, and the 16-minute epic "Once Upon a Dream" sounds like a sequel to "Awaken."  I get the feeling that if I listen to this more, I'll start to come around on it, but for now, it's a solid collection of tracks that fans of classic prog will probably enjoy.

Monkey3 - Welcome to the Machine

After loving their last album so much that it was my album of the year for 2019 (and checking out their first), I was pretty excited to hear they had a new one in the works.  However, this came out back in February.  I didn't plan to set it aside for so long, but life happens.  In any case, I'm finally catching up.  Despite the five year gap, these guys haven't lost a step.

As if the title wasn't obvious, these guys have a very Pink Floyd influenced sound, mixing in elements of post-rock, stoner rock, and even some crushing, Tool-like segments.   However, they are able to weave this together so that it all flows really well.  Their tone remains intact, drifting between mysterious and uplifting as the songs build and breakdown.  There is a stronger mechanical feel in the songs (matching the title), but it's only sprinkled in here and there, adding another layer to their iconic wall of sound.  Another factor I love about this band is, while they are experts at creating a solid spacey atmosphere, they aren't afraid to jam it out for a bit, freeing up the band to let the guitars go wild for a while.  Playing this stuff live must feel liberating.

I'm not going to lie: this is a Top 5 contender for the year.  "Ignition" gets things started perfectly, "Collision" is a solid follow up with the mechanical bits, "Kali Yuga" dips pretty deep into their atmospheric side, "Rackman" builds up really well, and "Collapse" is a good closer with a lot of fun Pink Floyd references and excellent transitions and dynamics.  I don't know if it's quite as good as Sphere, but it's very close, and certainly a standout album for 2024.

New Videos - April 2019!

April showers bring . . . rock videos?  That seems to be the case.  We've got a curious collection of songs here, but they all stand out in their own way.  Check them out!

Another single for Alan Parsons's upcoming album, and I think this one is a little better than the first one.  Parsons is really channeling his mid-80's sound with these ballads.  My only concern, now, is if the album is going to be nothing but ballads.

One thing you can say for Neal Morse is that he's prolific.  Here we have the first single of his rock opera about the life of Jesus Christ, and it seems to be a quick blast 70s rock similar to Deep Purple and Kansas!  I suppose there have been weirder ways to tell Bible stories.

Jon Anderson of Yes also has a solo album coming out, and if this single is anything to go by, it might not be heavy on the rock, it is very Jon Anderson!  The video is cute in a dorky way, but it's his voice that carries the song, which is to be expected.  Fun stuff!

Grand Magus has been pounding out their brand of heavy/doom metal for a while, and here we have them blasting out something epic.  I've always been a fan of epic doom metal, and this sounds great!  Nice and crunchy!

More epicness!  Here we have Battle Beast giving us a song about the Mongols!  Noora really gives her all with this power metal track, but then again, I suppose at this point that's to be expected!  

And to finish things off, let's go with some Crazy Lixx!  This band really proves that glam metal can still sound great, with some catchy riffs and a sing-along chorus.  It's like the 80s never ended!  (And I mean that in a good way!)