Top 5 of 1991!!

Good grief, this took much longer than I wanted it to!  Well, at least I'm done and I've put my list together.  As usual, these are my personal choices, based on what I had time to listen to.  1991 is a peculiar year for rock and metal as a lot of changes were happening.  The overlap of pop metal and grunge is pretty fascinating, contrasting the polish of the former to the grittiness of the latter.  However, I wasn't really a part of the grunge wave (I was too young), so I don't really connect with even the classics of the era.  There are a few honorable mentions though: Harem Scarem's self-titled debut (which I liked quite a bit), and Helloween's Pink Bubbles Go Ape, a strange album that does have a few decent power metal songs, but not enough to get them on the list.  Still, I think I have a pretty good (if peculiar) list here.  These are my Top 5 for 1991!

5. Europe - Prisoners in Paradise

I reviewed this quite some time ago, and I thought it was just okay at the time.  However, as I was considering what to put on this list, listening to everything, I had to admit that they did have some pretty decent songs, and Joey Tempet's charm really rings out.  "All or Nothing," "Seventh Sign," and "Girl from Lebanon" are still the best songs, but the rest aren't bad either.

4. Huey Lewis and the News - Hard At Play

Chalk this one up to plain nostalgia.  My dad has this one when I was growing up and I grew fond of their peculiar blend of blue-eyed soul and roots rock.  Perhaps not the heaviest album on here, but good songs like "Build Me Up," "It Hit Me Like a Hammer," and "Best of Me" make this a fun album, if a bit cheesy.  However, the best is the near anthemic "Couple Days Off," a song that always come to mind during every job I've had!

3. Yes - Union

While it's a bit of a mess, considering how it came together, but my favorite band still has some decent material here.  "Miracle of Life" is probably the proggiest song here, but the opener "I Would Have Waited Forever" and its follow up "Shock t the System" are solid rock songs.  It might not rank very high among their other material, but it's still a highlight for this year.

2. Metallica - Metallica

Perhaps not a surprise, considering how much I defended it in my retrospective, this is a very consistent album.  While perhaps not as adventurous (or beloved) as their 80s material, the band really refined their sound into something fierce and immediate, and I enjoy a handful of songs on here.  The album does fizzle out at the end, but many of these songs remain staples of their setlists for good reasons.

1. Dire Straits - On Every Street

Speaking of nostalgia!  It's fascinating how Dire Straits keeps their root rock roots and yet still sounds so timeless.  After the massive success of Brothers In Arms, the band settled back into their comfortable ways.  Whether its the upbeat songs like "Calling Elvis," "The Bug," and "Heavy Fuel," or their somber, bluesy side with "Fade to Black" and "You and Your Friend," or even the sarcasm of "My Parties," there's just something that makes Mark Knopfler and company feel like they really went out style.  While it may be a strange choice among these albums, but after multiple listens, I decided this the one I enjoyed the most!

Top 5 of 1985!!

Well, this took a lot longer than it should have!  Turns out that there's a lot of rock and metal for this year, most of which was decent, but not amazing, so it took quite a few listens to figure out where to rank things.  While I do have an obvious winner (or two; I'll explain), the rest of the list was not easy, but eventually I decided I couldn't listen to everything and had to cut things off and choose.  I'm not as confident in this list as I am about the previous ones, but I have to move on.  So, for now anyway, here is my Top 5 for this quirky year.

5. Dio - Sacred Heart

It was tough to decide fifth place, as I was considering everything from Ratt and Accept, to Rush, but Dio's grandiosity won out.  It's not as strong as his first two solo efforts, as the band was starting to fall apart at this time, but you wouldn't really know it from the music.  Perhaps cheesy at times, but still a good amount of fun.

4. Asia - Astra

Once again, it's a drop off compared to this band's first two, as the inclusion of Mandy Mayer of Krokus pushed the band in more of an AOR style, but I think they make it work.  It's not as rich or proggy as the earlier albums, but there's enough of the classic Asia sound for me to put it up here.

3. Helloween - Walls of Jericho

As far as I'm concerned, European power metal started here.  Yes, it's a very rough album, mainly in classic speed metal territory, but careful listening shows the first steps of epicness, between the neo-classical riffing and Kai Hansen's wailing vocals.  While the band would definitely do better from here, picking up Michael Kiske, but I still find plenty of this iconic band's charm on their debut.

2. Dire Straits - Brothers in Arms

If there was an album that really defined 1985, it's this one.  Pushing their roots rock sound toward more commerciality, only to land on MTV's most sarcastic hit with "Money for Nothing," the band was thrown to the forefront of music listeners around the world.  Fortunately, the rest of the album is solid as well, with the somber title track, the easy-going "So Far Away," and my favorite from the album, the nostalgic "Walk of Life."  While the band had succeeded before, this album made them superstars.

1. The Alan Parsons Project - Vulture Culture/Stereotomy

Okay, so maybe I'm cheating here, putting two albums at number 1, but when they're both by one of my favorite bands, I was left with a hard choice?  Do let them take up two slots on a top 5?  Do I drop one in favor of the other?  Or maybe I just insist that it's my list and so I can make my own rules!  Seriously, though, this is some solid songwriting from a talented core of people.  The first carries on the formula of the previous two albums while the second sees them experimenting again a little.  While I do think Vulture Culture is the better of the two, Stereotomy is no slouch and has plenty of catchy melodic rock to enjoy.  Again, nostalgia plays a major role in putting these two albums at number 1, as I grew up on this band, but I can't think of any other album that can overtake either of these two for 1985!

Anniversary Series - 1982!

While I do apologize for the lack of posts lately, but I am certainly not going to miss out on doing another Anniversary Series article.  This time: 1982, which is a pretty solid year.  Following up on 1977 would be hard, but this year has plenty of rock and metal to celebrate.

Right off, the year starts with three pretty big albums.  First is Asia's debut, a solid pack of AOR melodic rock, and one of my favorites of all time.  And given that it was the best selling album of the year, I don't think I'm alone in that.  The next big one was Iron Maiden's The Number of the Beast, kickstarting Bruce Dickinson's rise to the top of heavy metal vocalists, and catapulting the band to the heights of metal history.  This was followed by Scorpions' Blackout, with the big hit "No One Like You," helping to grow their international appeal.

As spring turns to summer, we see a landslide of melodic rock.  Toto released their massive IV album, with "Rosanna" and "Africa" become radio staples for many years to come.  Meanwhile, Magnum found themselves with Chase the Dragon, Rainbow continued their push into FM radio with Straight Between the Eyes, .38 Special gave us "Caught Up In You," Survivor told us about the "Eye of the Tiger," and the Steve Miller Band cast their spell with "Abracadabra." On top of all that, the Alan Parsons Project shift into melodic rock as well with Eye in the Sky, not only getting a big hit with the title track, but ensuring that the Chicago Bulls would have great intro music for their games for years to come.

Heavy metal was also heating up, with Anvil establishing their Metal on Metal sound, Manowar releasing their debut Battle Hymns, Twisted Sister put out their debut Under the Blade, and Judas Priest coming back from their lukewarm last album with the acclaimed Screaming with Vengeance, with the big hit "You've Got Another Thing," and the fan favorite "Electric Eye."  Accept would soon follow afterward with Restless and Wild, helping to push metal into going "Fast as a Shark," while telling us about the "Princess of the Dawn."

The rest of the year would give us a few solid rock albums.  Rush would push further into synthesizer territory with Signals, Dire Straits would warn us of the dangers of "Industrial Disease" on Love Over Gold, and Led Zeppelin would release their last, posthumous album Coda, putting a definitive capstone on their illustrious music productivity.  Closing out the year, Night Ranger would debut with Dawn Patrol, providing the big hit "Don't Tell Me You Love Me," and showing the future of rock in the 80s with their pop metal sound.

1982 sees more transitions, as AOR reaches its peak with metal coming up behind them, making it a fascinating year with a lot of variety.  As always, I've got the playlist below, and if you think I've missed something, let me know!  Until then, rock on! \m/

Anniversary Series - 1991!

Sorry for the lack of content lately.  At least I was able to put this one together in advance.  It's also fortunate that 1991 is such a big deal in rock music history, providing plenty of material for this anniversary article.  1991 was definitely the end of some eras and the beginnings of others.  It would be hard to think of a year that would come to represent such massive shifts in the rock scene more than this one.  Still, with such change, great music gets made.

Speaking of the end of eras, Queen would experience a pretty major shift.  Releasing Innuendo in February, it would end up being the last record they would record alongside their singer Freddie Mercury before he would pass away later in this year.  Other bands facing the ends of an era would also include Skid Row, as Slave to the Grind would be their last with singer Sebastian Bach, and Europe, whose Strangers in Paradise would be their last album for more than 10 years.

Other bands were coming to a close as well.  Genesis released We Can't Dance, which would end up being their last with Phil Collins (though currently there is talk of another reunion tour, so who knows).  Dire Straits also put out their last album On Every Street, one that I think is very underrated in their catalog.  Rush would also bring a close to their synthesizer-heavy 80s with Roll the Bones, bringing things back to a more streamlined rock sound.

Of course, it was not all doom-and-gloom for rock and metal bands.  Van Halen was still rocking with Sammy Hagar, releasing For Unlawful Carnal Knowledge, and Mr. Big would kickstart their popularity in Japan with the single "To Be With You."  Guns 'n' Roses would finally release their double album Use Your Illusion, Ozzy proved he wasn't slowing down with No More Tears, and Metallica would release their self-titled album, which is still their most popular one to this day.

However, the big change came from the Seattle bands.  While they wouldn't get their big explosion next year, 1991 featured some of their biggest releases.  Not only do you have Pearl Jam's Ten, Temple of the Dog's only album, and Soundgarden's Badmotorfinger, but also Nirvana's Nevermind, which would introduce the sound to the rest of nation and turn it into an international phenomenon.  Almost instantly, record labels were dropping anything with an 80s rock sound in favor of this grittier, thicker style.  I don't know if there has ever been such a hard pivot in the rock music  industry before or since.

And that's 1991!  Certainly a year of changes, and the music shows.  A lot of pop metal and melodic rock would fade from popularity, making way for the new alternative rock sound, but good music, nevertheless.  I have a bunch more in the playlist below, and as always, let me know if there's something I've missed!  Until then, rock on!  \m/

Anniversary Series - 1985!

I hope everyone is staying safe.  I know I haven't been as productive as I could be here, but I'm committed to at least get these anniversary articles out.  Going back over 1985 seems to be an odd year, as there doesn't seem to be as much in the way of major releases like my previous articles.  Still, any year is a good year for rock music to come out, and this one isn't any different.

The year starts off with John Fogerty, of Creedence Clearwater Revival fame, getting a big solo hit with "Centerfield."  Dire Straits would find their own massive success with Brothers in Arms, featuring "Walk of Life," the satirical "Money for Nothing," and the epic title track.  Starship would continue it's complicated history with "We Built This City," and Heart would make their big comeback this year with "These Dreams."

As for metal, the genre was slowly expanding, with the subgenres of thrash, death, speed, power, and even doom finding their footing.  Those waving the banner for traditional metal found plenty to enjoy with Accept's Metal Heart, and Dio's Sacred Heart.  Power metal quietly kicked off this year with Helloween's Walls of Jericho, establishing the sound that would inspire epic music for decades to come.

Glam was certainly not sitting back, though as one of the biggest albums would be Theatre of Pain by Mötley Crüe, featuring a cover of "Smokin' in the Boys Room" and "Home Sweet Home," the power ballad that would pave the way for many more to follow the rest of the decade.  Other highlights include Ratt's Invasion of Your Privacy, Dokken's Under Lock and Key featuring "Unchain the Night" and "The Hunter," and Twisted Sister's Come Out and Play, best known these days for a team up with Alice Cooper for "Be Chrool to Your Scuel," the video for which ended up being banned from MTV.

Prog rock would definitely take a backseat at this time as most bands were content with a streamlined sound.  Marillion would end up being big this year as their album Misplaced Childhood would provide the hit "Kayleigh."  Rush continued their synth-heavy sound with Power Windows, Supertramp would recruit David Gilmour for Brother Where You Bound, and Asia would replace Steve Howe for Mandy Meyer for the more stadium-rock savvy Astra.  The Alan Parsons Project, after attaining radio success for for the past five years, would pick up some of their older progressive styles with Stereotomy at the end of the year.  

Hopefully, that covers the year pretty well.  Check out my playlist below, and speak up if you think I've missed something.  Until then, rock on! \m/